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Annalise Kaylor
Wildlife
NGO + Non-profit
Tear Sheets
blog
about
workshops
contact
0
0
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Wildlife
NGO + Non-profit
Tear Sheets
blog
about
workshops
contact
Denali Bull Moose Environmental-16420.jpg

Photographing at the Edges of Dawn and Dusk

$79.00

Join Live: September 24, 2026 at 7:00PM EST

The recording will be made available to everyone who purchases it within 24 hours of the live training.

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For many wildlife photographers, low light is where things fall apart. Noise creeps in. Detail softens. Frustration sets in and so you do what we’ve been told: keep the ISO low, underexpose just a little, and then try to fix it in post-processing. In relying on software to fix it, photographers bring up the shadows and exposure and end up creating more noise in their photographs than they would have if they had just pushed the ISO to where it needed it to be to begin with.

This Field & Frame Intensive is all about understanding exposure when you’re working in low light scenarios. You’ll leave understanding how your sensor actually works, how Auto ISO works and why it often works against you as a wildlife photographer, and how to easily read your histogram so you’re bringing the best possible image back into your software for post-processing.

Join Live: September 24, 2026 at 7:00PM EST

The recording will be made available to everyone who purchases it within 24 hours of the live training.

—

For many wildlife photographers, low light is where things fall apart. Noise creeps in. Detail softens. Frustration sets in and so you do what we’ve been told: keep the ISO low, underexpose just a little, and then try to fix it in post-processing. In relying on software to fix it, photographers bring up the shadows and exposure and end up creating more noise in their photographs than they would have if they had just pushed the ISO to where it needed it to be to begin with.

This Field & Frame Intensive is all about understanding exposure when you’re working in low light scenarios. You’ll leave understanding how your sensor actually works, how Auto ISO works and why it often works against you as a wildlife photographer, and how to easily read your histogram so you’re bringing the best possible image back into your software for post-processing.


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Annalise KAYLOR

hello@annalisekaylor.com //404.304.2789